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Look in illustration 56 from Verrill's book. Isn't the upper/right knot what we call a 'girth hitch' ? The lower/left hitch is what??? How do they get a 'Lark's hitch' out of that? If I understand correctly, a LH is one with a toggle installed, right ?
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Tom;
Here is the link again to Verrill (provided by Spydey) so that people don’t have to look for it :
1917 book "Knots, Splices, and Rope Work" by A. Hyatt Verrill
The upper/right knot is what we would call a girth hitch. The lower/left is a Double Strap Hitch (Ashley #1695), also described as a double ring hitch, a Ring Hitch that has been doubled (Ashley #60 and #1862).
I think you’re correct, a Lark’s Head (not Hitch) should have a toggle. Verrill does show this in illustrations 30 and 31. Oddly he later shows the knots that you mentioned (both in illustration 56) and also calls them ‘Lark’s Heads’. This is one of the discrepancies that I referred to in one of my earlier posts. It seems that Verrill followed the author of ‘
The Book of Knots ’ (which was published under the pseudonym Tom Bowling) which applied literal translations of common French names to knots that already had longstanding English names. Ashley says “Being the first book in the field, it was given a prominence far beyond its merit, which was slight… Much of the confusion that now exists in the terminology of knots may be traced to this one ‘source’.” Rusch-Fischer says “It was the first book published in English on the subject and it [is] the source of most of the confusion about knots down to this day.”
Note that Verrill’s illustration #55 shows a Clove Hitch, but it is called a ‘Waterman’s Knot’. This is one of the errors that Ashley says also appeared in ‘Bowling’s’ book.
Also see Verrill’s illustration #58. It shows a Bowline, formed correctly, but a mirror image of how many people would actually tie the Bowline. Illustrations #59a-d show how to tie the Bowline, but the completed knot is the mirror image of #58. That is, #58 shows one view, then #59 shows the mirror view. This would be very confusing for someone who is actually trying to learn how to tie the Bowline by following the text. Ashley remarks that this mirroring of images also occurs in ‘Bowling’ and is probably “…owing to the engraver’s process.” (p. 11).
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Look at #47. See anything that looks familiar? See the crossed round turns to the right of the bar?
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In #47 the ‘crossed round turns’ to the right of the bar are reminiscent of a French Prusik—it certainly isn’t “…a number of half-hitches taken at intervals around the object…” which he states in the text, and shows correctly in #46.
Ashley does have some inconsistencies, but he still seems to be the best reference.