Daniel
Carpal tunnel level member
- Location
- Suburban Philadelphia (Wayne)
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You were the first to describe the technique (arboristsite circa 2002) of pretensioning an offset pull line, tied out near the balance point of the limb, and then using a tapered hinge to allowing the limb to slowly swing (down and sideways) into the rigging. The only thing I changed is that I started using rip cuts instead. They definitely hold on much better than the tapered hinge. I think you called it ball and socket or something. That was definitely very innovative at the time. You deserve a lot of credit for that. That made a huge difference in my rigging style. I had accidntally achieved a similar effect on a limb I rigged a few years before, but didn't understand how and why that happened until you explained it.Hello again Daniel, Nice!
I think of first movement, when allow to flex over/working with instead of just fighting gravity, as when it starts 'breathing'; comes alive.
I think drifting down and sideways as less severe down; and 45degrees as the logical and most functional choice to try. Seems a more 'squared' feel in the movement, where cos=sin=70.7% each. Also, would favor with hitch on your side of the COG, and needing some sidewards sweep/where support is off to the side. For the load moves across to support, slacking line some; at same rate moves down away from support tightening some. 70.7%=70.7%, by the numbers. Feels like lending to the squared movement feel.
Also, once again present the Tapered Hinge for this usage too, fat end up against gravity. Hope not so many naysayers to that anymore; where fat end of Tapered is greater amount of fiber at most leveraged distance across from compressed pivot for greatest control to side forces. It was always my hero. Only on a balanced across and inline load movement would i say use standard flat across hinge; to the logic of imbalanced load to the movement is best with a ballast of equally/self adjusting controlled balance across hinge. Still works on rips/backcuts into no facing.
Usually, used to 'in my day', pretighten as well as could, then let pretighten line even more/automatically by cutting downward some. Especially when sitting on the limb itself can see/feel load switch from cut to rope some. Then at proper tension go for the 45° serving across down to maintain the tension more stably. Works fair some on rips at same angle without rope too, less severe down as some of total moves across at same time. There is only a finite amount of the total; that is less when divided further. The more stress off hinge, as rope takes it, the longer can control on hinge AND less shock echoing thru the system at actual tearoff/hand off to rope.
Good L.U.C.K.!
•Labor
•Under
•Controlled
•Knowledge
Seems like really can make own LUCK sometimes;
and the more ya practice, the LUCKier ya'git!
Worst problem is, it can look tooo easy.
Take Care!
Thank you... Peel cut is definetley more precise wording. I have occasinally used it in the past but will make it a full time thing..We do that frequently, but use different terminology. For us a rip cut is cutting along the grain. What is shown in your video is a peel cut. For maximum effect cut into the trunk with the nose of the bar well into the collar area.